When the last petal of the orchid falls, her final breath escapes—
her soul shatters in agony, becoming a trapped spirit,
waiting for the day the woman will return to fulfill the ‘promise.’

“Fongchan,” a rising star actress, must visit an ancient mansion to film a period drama set in King Rama V’s era.

At this famously haunted place, she discovers the restless spirit of Lady Ploy, the mansion’s owner, who waits for someone to repay a karmic debt and honor a binding promise.

That woman is “Chao Euang Kaew,” the noble lady of Chiang Fang who vanished from history—
perhaps the ancestor of Fongchan… or maybe even… herself.

Why was the first wife imprisoned, waiting for the mistress to return and face her fate?
Why is she called by that name?
And why has Lady Euang Kaew’s name disappeared as if she never existed at all?

“The first rule of being a villainess who transmigrates is: never fall in love with the heroine. Too bad, that rule is never set in stone.”

If the phrase “Pick me girl” is secretly whispered behind Darinya’s back, then the title of “discarded villainess” undoubtedly belongs to Methawi.
She loves him, he dumps her, they hate each other… so why not just fight it out and be done?
Two women hating each other over a single cucumber slice isn’t unheard of.

Methawi sheds tears, Fierce fires back, and a small-scale war drags on for months.
But what no one knows is that both of them hide secrets.

First: Methawi is a transmigrator inhabiting the villainess’s body in a novel.
Second: The one she secretly eyes isn’t the male lead, but the tearful heroine herself.
Third: The mysterious online friend “RabbitSleep,” who Darinya chats with daily, is actually Methawi herself.

Melody45: “Why did you choose the ID ‘RabbitSleep’?”
RabbitSleep: “Because…
RabbitSleep: It reminds me of someone :)”

As her body falls into the water, the river carries the young woman back more than five hundred years. When she awakens, she finds herself reborn as a princess in the Hanthawaddy Kingdom—“Princess Min Atwe” of the Toungoo dynasty!

During a fierce storm, Phakthira Ramnarongwaradit plunges into the water. Upon awakening, she realizes she has traveled over five centuries back to a time when the Burmese empire thrived. She is now “Princess Phitsanulok,” also known as “Princess Min Atwe,” daughter of Lady Suphankalaya and the mighty King Sithu of the Toungoo dynasty.

In Hanthawaddy, she returns to her past life.
In Hanthawaddy, she knows someone is calling for her.
From Hanthawaddy, journeying toward the far reaches of Lanna, she meets “Queen Kesyawadi,” a woman descended from a fallen royal lineage—the Lady Kaew of Chiang Fang—who will become the light of her heart forever. And she, in turn, will be the blooming Plubplueng Tharn by her side for eternity.

As love blossoms amid war and fierce politics,
the wheel of fate begins to turn once more.

Is it wrong for a noblewoman to love a queen?
Is it wrong if we bind our hearts—across lifetimes and worlds—so long as the Plubplueng Tharn’s fragrance still lingers?

“Mae” — graceful and enchanting… deeply stirring the heart.
“Plub” — a flame igniting the soul… impossible to resist.
“Plueng” — like stone enduring time…
“Tharn” — flowing onward… to the kingdom of Kamboja.

In the year 1957, she breathed her last from a mysterious bullet. Yet, hell showed mercy—allowing the rising film starlet to return and reclaim everything, even if it meant humbling herself to borrow the hand of the sweet-faced lead actress from the traditional theater troupe she once scorned!

Mom Luang (M.L.) Marisa Yaowamal is the most accomplished young woman in the capital in 1957.
Beautiful and elegant, highly educated, and born into a noble lineage, no one surpasses her—except for her sharp tongue and insufferable arrogance. Without these flaws, the leading role in the new film would surely be hers.

But on the day her name was about to be announced, a gunshot rang out—and her breath suddenly ceased!

She died—without ever getting the lead role.

She died—before claiming the handsome gentleman she had her eyes on as her husband.

She died—without the chance to make her enemies burn with envy.

She died—without ever knowing who killed her.

Yet hell showed mercy, granting Mom Luang (M.L.) Marisa a second chance. She awakens, returning to the day she fell ill a year prior. This time, she vows to reclaim her lead role and expose the villain who murdered her.

Oh, and she hasn’t returned a better person. Reform isn’t in her vocabulary. Instead, she’ll be fiercer, more venomous, and torment anyone who stands in her way—no matter what.

Even if she must humble herself to enlist the help of Ruenrudee, aka Pikul Phumthong, the lead actress of the Dao Pradub Fah traditional theater troupe—whom she once deeply despised and with whom she shares a bitter history!

If Ngamrampha is a witch, then Jannisa must be the rebellious princess determined to tame her into submission.

Struggling with debt, the popular social media influencer Jannisa takes on a special assignment from a VIP client: to cozy up to Ngamrampha, Thailand’s top wine expert. Ngamrampha is as beautiful as her name suggests—charming and from a noble lineage so prestigious it’s obvious even from Mars!

Jannisa’s job is simple: sprinkle a little charm, act cute enough to captivate, and gradually lure Ngamrampha under her control as instructed by the client.

This should be easy for a sweet-faced girl with a “strawberry” personality—or rather, a sweet face hiding a thousand sly tricks. Except…

The plan to manipulate Ngamrampha backfires—because it seems Jannisa herself is the one being enchanted.

She set out to make Ngamrampha fall for her, but why does her own heart race faster every day?

Behind that lipstick-red smile, Ngamrampha is like a witch casting spells, trapping Jannisa with no escape.

Before she knows it, Jannisa is caught in the very grasp of her target—whether Ngamrampha squeezes tight or lets go, Jannisa might not survive.